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During school vacation I painted outdoors at a friend's house. This is a style I come round to and develop.
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"My Table: My Palette", oil on canvas supported by wood and plywood corners, 32" x 43" , 1990. For sale $400 The support frame was scavenged from an earlier experiment - a silk painting stretched over fiber fill to make the wall hanging look like soft fiber sculpture.
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Like in the past the modular frame series could be an isolated series of abstracts. I don't want to crank them out. Each must have meaning for me and be a part of my goal to have a rich involvement that I hope will evolve into a rich development. Each will start without knowing what adventure I will have to achieve the resolution. The resolution will be the recognition of feeling and symbolism that communicates. Usually development comes from limits and repeating the same type of picture. I have taken the path of trying many directions and there has been a great deal of time since my first similar paintings. When I am doing other kinds of painting new ideas for these abstracts incubate. At least incubation is the excuse I use for not pursuing abstraction continually.
Looking at these I feel I have just begun to stretch my muscle for abstraction by working at it now and then during the years.
2 comments:
love this,there is a certain depth
in more than one way,very intersting
Thank you Rob,
If one looks very closely at "My Table, My Palette" I have painted myself holding a bag out to catch the colors. I feel the figure is passive here. In my most recent modular frames I am more proactive and also wanting to share my love of paint and color by making the modulars so others can rearrange the colors, and textures.
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